Drawing on the top is Eric White'
If it’s true, that drawing is a way of thinking, then this is an example of not-thinking about the drawing.
The method applied here is efficient at times when I am getting stuck with figurative representation, as mark making executed in the manner of Brownian motion accidentally could lead to the recognizable subject matter.
Uncut version: That elastic minded drawing was made during namesake panel discussion, when I was done drawing horses and imaginary landscapes, besides lighting was off most of the time.
Long story short, it was submitted for a group show of drawings Move 16: Don’t Paint With Your Teeth, curated by Rich Jacobs, at Cinders Gallery in Williamsburg Brooklyn, NY.
